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feelings are fatal
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Jeremy Siepmann
Jeremy Siepmann,男歌手,代表作《Classics Explained: BEETHOVEN - Symphony No. 6, 'Pastoral' (Siepmann)》
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Jeremy Siepmann《First Movement (complete)》[MP3_LRC]
Jeremy Siepmann《But that's not the instrument Mozart wrote it for; this is:》[MP3_LRC]
Jeremy Siepmann《Brahms: Hungarian Dance No. 7》[MP3_LRC]
Jeremy Siepmann&Slovak Philharmonic Orchestra《Back to the start to hear the whole of the story so far, this time without commentary》[MP3_LRC]
Jeremy Siepmann《We don't merely use instruments, we play on them. And they play on us.》[MP3_LRC]
Jeremy Siepmann《Two functions of metrical change: going with the flow...》[MP3_LRC]
Jeremy Siepmann《Brandenburg Concerto No. 4 in G: The Brandenburgs as concerti grossi》[MP3_LRC]
Jeremy Siepmann《An Introduction to … BRAHMS: First Movement (Complete)》[MP3_LRC]
Jeremy Siepmann《An Introduction to … BRAHMS: Finale (Complete)》[MP3_LRC]
Jeremy Siepmann《Instruments of the Orchestra: A crisis of confidence; the orchestra's survival hangs in the balance, but it still develops. The 》[MP3_LRC]
Jeremy Siepmann《Introduction of ' discordant ' harp into the unfolding picture》[MP3_LRC]
Jeremy Siepmann《Bolero rhythm, Part 2: an extended variation of Part 1》[MP3_LRC]
Jeremy Siepmann《Section 3: Bassoon introduces closely related variant of theme》[MP3_LRC]
Jeremy Siepmann《' Motto ' rhythm complete》[MP3_LRC]
Jeremy Siepmann《But here we have snare drums and plucked violas and cellos》[MP3_LRC]
Jeremy Siepmann《Cue to complete performance》[MP3_LRC]
Jeremy Siepmann《Section 20: Key now lurches back to C, as jazzy trombones whiningly protest》[MP3_LRC]
Jeremy Siepmann《Section 1: Introduction of ' the theme ' by solo flute》[MP3_LRC]
Jeremy Siepmann《... and now its rhythmical mirror image, or almost...》[MP3_LRC]
Jeremy Siepmann《Flute continues with Part 2 of theme》[MP3_LRC]
Jeremy Siepmann《...but then veers upwards, slowing rhythm and introducing new syncopation》[MP3_LRC]
Jeremy Siepmann《Change of metre continue as solo oboe introduces Theme One》[MP3_LRC]
Jeremy Siepmann《answering variant, accompanied by plucked double basses》[MP3_LRC]
Jeremy Siepmann《Section 12: Theme: flutes, oboes, clarinets, sax; Motto: bassoons, horns, trumpets》[MP3_LRC]
Jeremy Siepmann《Section 15: Trumpet, trombone 2 and tuba join the foreground》[MP3_LRC]
Jeremy Siepmann《Theme One returns, shared by clarinet and flute, muted horn added to accompaniment》[MP3_LRC]
Jeremy Siepmann《Oriental-orchestral equivalent of an imprial telephone bell》[MP3_LRC]
Jeremy Siepmann《Section 11: Theme taken by First Trombone, complete with jazzy slides》[MP3_LRC]
Jeremy Siepmann《Same again, with emphasis on delicacy of scoring》[MP3_LRC]
Jeremy Siepmann《Section 18: Entire orchestra now employed, ' as loudly as possible '》[MP3_LRC]
Jeremy Siepmann《Fear subsides as Theme Two returns, again in Cor Anglais but now in a different key》[MP3_LRC]
Jeremy Siepmann《Texture thins; Theme one returns, delicately scored for strings and piccolo》[MP3_LRC]
Jeremy Siepmann《Section 16: First trombone and soprano saxophone ' rejoin ' theme》[MP3_LRC]
Jeremy Siepmann《Petit Poucet (Tom Thumb)-Introduction; Opening, with multi-metre rising scales from muted violins》[MP3_LRC]
Jeremy Siepmann《Section 17: Fortissimo; all strings ' double-stopping '; trumpets added》[MP3_LRC]
Jeremy Siepmann《'Motto' rhythm dominates as intensity increases from lower strings to full orchestra》[MP3_LRC]
Jeremy Siepmann《The main part of movement ends, with waltz-like march(!), featuring flute》[MP3_LRC]
Jeremy Siepmann《Section 6: Theme now shared by two instruments: uted trumpet and flute》[MP3_LRC]
Jeremy Siepmann《Section 13: Violins at last take the main tune, joining massed winds》[MP3_LRC]
Jeremy Siepmann《Answering Phrase 2: a near-inversion, over ' James Bond ' accompaniment》[MP3_LRC]
Jeremy Siepmann《Reprise of Phrases 1 and 2, but with new accompaniment》[MP3_LRC]
Jeremy Siepmann《Further Reprise of Phrase 2, now on violin, accompanied by harp》[MP3_LRC]
Jeremy Siepmann《Section 4: ' Petite ' E flat clainet takes over theme, including variants》[MP3_LRC]
Jeremy Siepmann《Oboe yields to Cor Anglais for Theme Two, against lower (still muted) strings》[MP3_LRC]
Jeremy Siepmann《Sensational sound effects evoke a wood at night, with screeches, cuckooing etc.》[MP3_LRC]
Jeremy Siepmann《Section 5: Oboe d'amore takes over theme but returns to its original form》[MP3_LRC]
Jeremy Siepmann《Pivotal Phrase 3, reversing direction but keeping rhythm of Phrase 2》[MP3_LRC]
Jeremy Siepmann《... oboe ' answers ' with a very slightly varied version of Theme One》[MP3_LRC]
Jeremy Siepmann《Section 19: Sudden, amazing change of key, lurching from C to E Major》[MP3_LRC]
Jeremy Siepmann《Pavane de la Belle au bois dormant-Opening figure on flute; rising, falling, and then reeated》[MP3_LRC]
Jeremy Siepmann《Clarinet, flutes and violas, with ' sighing' figure derived from downward string motif》[MP3_LRC]
Jeremy Siepmann《The question intensified:' Oh where went ... my childhood?'》[MP3_LRC]
Jeremy Siepmann《The plea: ' Bring back my childhood!'》[MP3_LRC]
Jeremy Siepmann《Varied reprise of opening, entry of the ' Beast '; ' Watch it ! Watch it ! '》[MP3_LRC]
Jeremy Siepmann《Section 8: Theme taken by soprano saxphone, ' espressivo '》[MP3_LRC]
Jeremy Siepmann《Further illustration of the same point》[MP3_LRC]
Jeremy Siepmann《Section 2: Complete statement of theme by clarinet as flute joins ' motto ' group》[MP3_LRC]
Jeremy Siepmann《Section 7: Tenor saxophone takes Theme as trumpet replaces horn in ' motto '》[MP3_LRC]
Jeremy Siepmann《Fragments of theme in flutes and cor anglais, with ' James Bond ' tag in violins》[MP3_LRC]
Jeremy Siepmann《Derivative of Beauty's Theme from flute, combined with ' caution motif ' in strings》[MP3_LRC]
Jeremy Siepmann《'Gamelan ' music from flute and piccolo, accompanied by harp, xylophone and strings》[MP3_LRC]
Jeremy Siepmann《arrival of Empress; upper strings yield to winds, celeste, harp and (very discreet) gong》[MP3_LRC]
Jeremy Siepmann《The answer, with a falling inflection: ' Gone is your childhood.'》[MP3_LRC]
Jeremy Siepmann《Section 10: Theme: Oboes, horns, clarinets; Motto: plucked violas and violins》[MP3_LRC]
Jeremy Siepmann《Expanded derivative of the ' telephone bell ' interrupts the theme again》[MP3_LRC]
Jeremy Siepmann《Section 14: Violins divide into four groups, each ' double-stopping '》[MP3_LRC]
Jeremy Siepmann《Le jardin feerique-Introduction; Opening bars are unfuuuuuuuuurled by the strings alone》[MP3_LRC]
Jeremy Siepmann《The response: ' Seek in ... your mem'ry. There it ... will be.'》[MP3_LRC]
Jeremy Siepmann《Characteristic pattern of two short phrases answered by a long one》[MP3_LRC]
Jeremy Siepmann《' Beast's theme ' rises in pitch with each successive ' gowl ' (representing hope?)》[MP3_LRC]
Jeremy Siepmann《Bolero-Introduction; cue to unadorned Bolero rhythm, Part 1》[MP3_LRC]
Jeremy Siepmann《The nobility of the strings》[MP3_LRC]
Jeremy Siepmann《Section 9: Theme: celeste, piccolos and horn; Motto: flute and French horn》[MP3_LRC]
Jeremy Siepmann《Les entretiens de la Belle et de la Bete- opening》[MP3_LRC]
Jeremy Siepmann《Ravel's use of tone colour to change the feeling of the music》[MP3_LRC]
Jeremy Siepmann《Bells evoked by French horns; the final, opulent, moving climax of the whole suite》[MP3_LRC]
Jeremy Siepmann《' Beast ' (contra-bassoon) climbs ever higher, handing over to bassoon proper》[MP3_LRC]
Jeremy Siepmann《Harp's upward glide heralds the moment of transformation; love song, fear, release》[MP3_LRC]
Jeremy Siepmann《Laideronnette, Imperatrice des Pagodes-Introduction; opening bars, followed by Theme One》[MP3_LRC]
Jeremy Siepmann《' Beauty ', ' Beast ' and ' Caution ' motifs all combine simultaneously》[MP3_LRC]
Jeremy Siepmann《Continued》[MP3_LRC]
Jeremy Siepmann《Again the ' Beast ' growls; again the cautious warning ' Watch it ! ' from the winds》[MP3_LRC]
Jeremy Siepmann《Petit Poucet (complete)》[MP3_LRC]
Jeremy Siepmann《Les entretiens de la Belle et de la Bete (complete)》[MP3_LRC]
Jeremy Siepmann《Laideronnette, Imperatrice des Pagodes (complete)》[MP3_LRC]
Jeremy Siepmann《Le jardin feerique (complete)》[MP3_LRC]
Jeremy Siepmann《Bolero (complete)》[MP3_LRC]
Jeremy Siepmann《Reminder of opening figure》[MP3_LRC]
Jeremy Siepmann《Pavane (complete)》[MP3_LRC]
Jeremy Siepmann《The rhythmic basis, and its guises. First, a question: ' Where went my childhood?'》[MP3_LRC]
Jeremy Siepmann《Anonymous: Csardas Music》[MP3_LRC]
Jeremy Siepmann《Prokofiev's tremolo in Romeo and Juliet should not be heard just before bedtime》[MP3_LRC]
Jeremy Siepmann《Prokofiev: Violin Concerto No. 2 in G Minor: II. Andante assai》[MP3_LRC]
Jeremy Siepmann《Bach: Concerto in D Minor for two violins: II. Largo ma non tanto》[MP3_LRC]
Jeremy Siepmann《Tchaikovsky: The Sleeping Beauty: Act II, No. 15: Entr'acte》[MP3_LRC]
Jeremy Siepmann《Hellmesberger: Elfenreigen》[MP3_LRC]
Jeremy Siepmann《Khachaturian: Gayane Suite No. 1: III. Armen's Solo》[MP3_LRC]
Jeremy Siepmann《Berlioz: Harold in Italy: IV. Orgy of Brigands》[MP3_LRC]
Jeremy Siepmann《The"period" viola in Bach》[MP3_LRC]
Jeremy Siepmann《Bach: Brandenburg Concerto No. 6: III. Allegro》[MP3_LRC]
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