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Jeremy Siepmann
Jeremy Siepmann,男歌手,代表作《Classics Explained: BEETHOVEN - Symphony No. 6, 'Pastoral' (Siepmann)》
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Jeremy Siepmann《Motif No. 6》[MP3_LRC]
Jeremy Siepmann《Introduction; opening horn call and piano's answer》[MP3_LRC]
Jeremy Siepmann《Rising three-note scalewise pattern》[MP3_LRC]
Jeremy Siepmann《Quicker, descending six-note 'answer'》[MP3_LRC]
Jeremy Siepmann《Second, answering phrase》[MP3_LRC]
Jeremy Siepmann《First Main Theme completed by orchestra》[MP3_LRC]
Jeremy Siepmann《Peace shattered as piano bursts back in like a tiger》[MP3_LRC]
Jeremy Siepmann《Variant of opening horn call in bass》[MP3_LRC]
Jeremy Siepmann《Orchestra returns; beginning of Exposition proper》[MP3_LRC]
Jeremy Siepmann《Big, 'singing' theme in orchestra; piano 'forgotten'》[MP3_LRC]
Jeremy Siepmann《Call to arms by strings; marshalling of orchestral forces》[MP3_LRC]
Jeremy Siepmann《Piano re-enters fry with massive expansion of opening figure》[MP3_LRC]
Jeremy Siepmann《Piano 'explores' two main facets of opening theme》[MP3_LRC]
Jeremy Siepmann《Transition. sense of key weakened. Piano and orchestra come together》[MP3_LRC]
Jeremy Siepmann《Piano and orchestra 'argue' over speed of thematic three-note rise》[MP3_LRC]
Jeremy Siepmann《Piano and orchestra in friendly dialogue before piano falls away》[MP3_LRC]
Jeremy Siepmann《'Winged' harmonic shadow of pure pianistic tone-colour》[MP3_LRC]
Jeremy Siepmann《New 'transitional' theme from orchestra developed by piano》[MP3_LRC]
Jeremy Siepmann《After indecision and discussion, the mood suddenly turns playful》[MP3_LRC]
Jeremy Siepmann《Reminder of Second Main Theme in its original form》[MP3_LRC]
Jeremy Siepmann《Ttransfomation of Second Main Theme by piano》[MP3_LRC]
Jeremy Siepmann《Piano hijacks orchestra's 'call to arms'》[MP3_LRC]
Jeremy Siepmann《Piano and orchestra, now allies, explore theme, but with piano leading》[MP3_LRC]
Jeremy Siepmann《Dramatic eruption of orchestra leads to the Development section》[MP3_LRC]
Jeremy Siepmann《Pianistic 'tiger' replaced by gentle reflective, soft-spoken poet》[MP3_LRC]
Jeremy Siepmann《Transformed 'tiger' theme amicably shared by piano and orchestra》[MP3_LRC]
Jeremy Siepmann《An apparently new theme - but Battlle Hymn of the Republic?》[MP3_LRC]
Jeremy Siepmann《Brief, downward-driving section prepares for the Recapitulation》[MP3_LRC]
Jeremy Siepmann《On the threshold of the Recapitulation》[MP3_LRC]
Jeremy Siepmann《Recapitulation: The Magical Return》[MP3_LRC]
Jeremy Siepmann《Summation》[MP3_LRC]
Jeremy Siepmann《First Movement (Complete)》[MP3_LRC]
Jeremy Siepmann《Second Movement: The upward-driving opening gambit, piano alone》[MP3_LRC]
Jeremy Siepmann《Downward-driving answer from lower strings》[MP3_LRC]
Jeremy Siepmann《Theme vs Melody》[MP3_LRC]
Jeremy Siepmann《Eerie, unharmonised, 'white' sound of Second Theme》[MP3_LRC]
Jeremy Siepmann《Second Theme taken up and developed by piano》[MP3_LRC]
Jeremy Siepmann《Expectation and surprise; harmonic fluidity and intensifying drama》[MP3_LRC]
Jeremy Siepmann《Return (and transformation) of Theme Two》[MP3_LRC]
Jeremy Siepmann《Theme One returns in orchestra; Theme Three emerges in major mode》[MP3_LRC]
Jeremy Siepmann《Sequence of fragmentary episodes begins with unexpected fanfare》[MP3_LRC]
Jeremy Siepmann《Variant of Theme Three in piano》[MP3_LRC]
Jeremy Siepmann《Rescored variant of 'fanfare' theme; from grandeur to solemnity》[MP3_LRC]
Jeremy Siepmann《Rhapsodic variant of fanfare, this time for piano alone》[MP3_LRC]
Jeremy Siepmann《Recapitulation of opening, with piano and orchestra reversing roles》[MP3_LRC]
Jeremy Siepmann《Theme Two transformed by new instrumentation》[MP3_LRC]
Jeremy Siepmann《Cue and Second Movement (Complete)》[MP3_LRC]
Jeremy Siepmann《Introduction, cue and First Main Theme》[MP3_LRC]
Jeremy Siepmann《Theme One taken up by strings and solo oboe; piano's entry》[MP3_LRC]
Jeremy Siepmann《Complex variant of Theme One with very different speed and rhythm》[MP3_LRC]
Jeremy Siepmann《Orchestra and piano in mixed variants of Theme One, now intensified》[MP3_LRC]
Jeremy Siepmann《Theme Two, hushed and 'tuneless', with piano, clarinets and strings》[MP3_LRC]
Jeremy Siepmann《Oboe Theme returns, now delicately embroidered by the piano》[MP3_LRC]
Jeremy Siepmann《Cue and Third Movement (Complete)》[MP3_LRC]
Jeremy Siepmann《Finale: Introduction, cue and Main Theme》[MP3_LRC]
Jeremy Siepmann《Violins take up tune, with winds and piano accompanying》[MP3_LRC]
Jeremy Siepmann《Piano introduces Part 2 of the main theme》[MP3_LRC]
Jeremy Siepmann《Part 3 of the theme, led by piano, in 'fiercely' self-confident mood》[MP3_LRC]
Jeremy Siepmann《First Episode, Part 1》[MP3_LRC]
Jeremy Siepmann《Piano hands theme over to clarinets and bassoons》[MP3_LRC]
Jeremy Siepmann《First Episode, Part 3, in piano, first; then flutes and oboes》[MP3_LRC]
Jeremy Siepmann《Strings and flutes take theme, with bubbling commentary from piano》[MP3_LRC]
Jeremy Siepmann《Tipsy dancers (piano and winds) return, tiring; strings take over》[MP3_LRC]
Jeremy Siepmann《... to which the piano duly responds with a stormy outburst》[MP3_LRC]
Jeremy Siepmann《Piano kick-starts run-up to final section in a variant of the main theme》[MP3_LRC]
Jeremy Siepmann《Orchestra sets off on jaunty march, later joined by the piano》[MP3_LRC]
Jeremy Siepmann《Piano propels orchestra into final section》[MP3_LRC]
Jeremy Siepmann《Summation and cue to the movement as a whole》[MP3_LRC]
Jeremy Siepmann《Finale (Complete)》[MP3_LRC]
Jeremy Siepmann《Introduction, background and perspective》[MP3_LRC]
Jeremy Siepmann《A gentle, other-worldly start; no sign of the violence to come》[MP3_LRC]
Jeremy Siepmann《...or disrupting it: a sample of metrical violence》[MP3_LRC]
Jeremy Siepmann《A stealthy entry (clarinets)》[MP3_LRC]
Jeremy Siepmann《On melodies, themes and motifs》[MP3_LRC]
Jeremy Siepmann《The new cor anglais motif dominates》[MP3_LRC]
Jeremy Siepmann《The oboe's rhythmic motif takes over》[MP3_LRC]
Jeremy Siepmann《A primeval awakening》[MP3_LRC]
Jeremy Siepmann《A panoply of Stravinskyan birdsong》[MP3_LRC]
Jeremy Siepmann《A matter of mode》[MP3_LRC]
Jeremy Siepmann《Cue to Introduction》[MP3_LRC]
Jeremy Siepmann《Introduction (complete)》[MP3_LRC]
Jeremy Siepmann《Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The 'Rite of Spring' chord》[MP3_LRC]
Jeremy Siepmann《The great arrival: bitonality》[MP3_LRC]
Jeremy Siepmann《The prevalence of ostinatos, and a righting of wrongs》[MP3_LRC]
Jeremy Siepmann《Metre restores (briefly) but the 'savage motif' returns》[MP3_LRC]
Jeremy Siepmann《An important new arrival (the 'horn motif')》[MP3_LRC]
Jeremy Siepmann《Another new theme from the horns》[MP3_LRC]
Jeremy Siepmann《A crowded conclusion》[MP3_LRC]
Jeremy Siepmann《A real study in contrasts》[MP3_LRC]
Jeremy Siepmann《Panic and pandemonium as timpani open fire》[MP3_LRC]
Jeremy Siepmann《Climactic melee haunted by 'fear motif'》[MP3_LRC]
Jeremy Siepmann《Suddenly another world, as flutes hover over harmonic vapour...》[MP3_LRC]
Jeremy Siepmann《...but a transient one: new movement arises from the deep》[MP3_LRC]
Jeremy Siepmann《'Dragging feet motif' over ostinato violins, twice interrupted》[MP3_LRC]
Jeremy Siepmann《'Marching motif' theme goes polymetric in huge crescendo》[MP3_LRC]
Jeremy Siepmann《And an unexpected reversion, to a quiet close》[MP3_LRC]
Jeremy Siepmann《Sensational violence comes close to chaos》[MP3_LRC]
Jeremy Siepmann《Effects, impressions and alteration》[MP3_LRC]
Jeremy Siepmann《A surprise re-entry and a change of instrumental clothing》[MP3_LRC]
Jeremy Siepmann《A thinning of texture, a new idea, and a rude interruption》[MP3_LRC]
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