Jeremy Siepmann
Jeremy Siepmann，男歌手，代表作《Classics Explained: BEETHOVEN - Symphony No. 6, 'Pastoral' (Siepmann)》
最新歌曲
共有1832首
- Jeremy Siepmann《The new idea developed: A Minor earthquake》[MP3_LRC]
- Jeremy Siepmann《The use of tone colour as an agent of rhythm》[MP3_LRC]
- Jeremy Siepmann《An unusual climax...》[MP3_LRC]
- Jeremy Siepmann《...and a sinister transition》[MP3_LRC]
- Jeremy Siepmann《Across the threshold into an instrumental population explosion》[MP3_LRC]
- Jeremy Siepmann《A sudden silence and then another world》[MP3_LRC]
- Jeremy Siepmann《Catapulted into the 'Dance of the Earth'》[MP3_LRC]
- Jeremy Siepmann《Tiny changes, unyielding ostinatos, massive tension》[MP3_LRC]
- Jeremy Siepmann《Cue to Part I complete》[MP3_LRC]
- Jeremy Siepmann《Part I (complete)》[MP3_LRC]
- Jeremy Siepmann《Again a muted, subtly coloured start》[MP3_LRC]
- Jeremy Siepmann《Tone colour as atmosphere - the strings' motif》[MP3_LRC]
- Jeremy Siepmann《Four solo violas, above gently rocking strings》[MP3_LRC]
- Jeremy Siepmann《Motif from the Introduction varied and extended》[MP3_LRC]
- Jeremy Siepmann《New motif, heralded by clarinets and violins, is introduced by alto flute》[MP3_LRC]
- Jeremy Siepmann《Variant of Motif No. 2 given out by two clarinets》[MP3_LRC]
- Jeremy Siepmann《Continued by oboes and bassoons; new motif in violins, cellos and bass clarinet》[MP3_LRC]
- Jeremy Siepmann《Main motifs yield to new idea from flutes》[MP3_LRC]
- Jeremy Siepmann《All change - direction, tone colour, metre - and two new ostinatos》[MP3_LRC]
- Jeremy Siepmann《Motif No. 1 returns in horn, then passed to flutes and strings》[MP3_LRC]
- Jeremy Siepmann《Texture, balance and tone colour keep changing》[MP3_LRC]
- Jeremy Siepmann《Instrumental enrichment, new counterpoint and a bleat of alarm》[MP3_LRC]
- Jeremy Siepmann《New derivative of Motif No. 2, a host of new sounds - and again the bleat》[MP3_LRC]
- Jeremy Siepmann《Into the finishing stretch, and we know we're in for something big》[MP3_LRC]
- Jeremy Siepmann《Putting the movement back together again》[MP3_LRC]
- Jeremy Siepmann《Mystic Circles of the Young Girls (complete)》[MP3_LRC]
- Jeremy Siepmann《On into one of the most sensational movements ever written》[MP3_LRC]
- Jeremy Siepmann《The violence is almost graphic. An example of musical terrorism》[MP3_LRC]
- Jeremy Siepmann《Motif No. 2: a terrible, off-beat com-pah from strings, horns and oboes》[MP3_LRC]
- Jeremy Siepmann《The air is filled with the fearsome baying of wind and violins》[MP3_LRC]
- Jeremy Siepmann《A variant of Motif No. 2, but now descending》[MP3_LRC]
- Jeremy Siepmann《A study in the bruality of suspense - a musical mugging》[MP3_LRC]
- Jeremy Siepmann《Against the odds, the 'descending motif' comes out on top》[MP3_LRC]
- Jeremy Siepmann《In the midst of the fray, a new 'rising motif' emerges...》[MP3_LRC]
- Jeremy Siepmann《...and undergoes a typcially Stravinskyan expansion and compression》[MP3_LRC]
- Jeremy Siepmann《A much-needed breath before the movement entire》[MP3_LRC]
- Jeremy Siepmann《Glorification of the Chosen One (complete)》[MP3_LRC]
- Jeremy Siepmann《The next movement consists of a single, chordal motif, three times varied》[MP3_LRC]
- Jeremy Siepmann《The second statement: breaking the metrical flow》[MP3_LRC]
- Jeremy Siepmann《At last the establishment of a clear and steady beat, but will it last?》[MP3_LRC]
- Jeremy Siepmann《A counterpoint of ostinatos lends continuity to changing time signatures》[MP3_LRC]
- Jeremy Siepmann《Horns introduce the first real motif, destabilised by multiple metres》[MP3_LRC]
- Jeremy Siepmann《The motif disappears, though the background ostinato continues》[MP3_LRC]
- Jeremy Siepmann《A change of mood, then the whole orchestra crashes in》[MP3_LRC]
- Jeremy Siepmann《The steady pulse gives way to a tossed salad of one-bar motifs》[MP3_LRC]
- Jeremy Siepmann《Lately abandoned, the steady pulse returns, as does the 'trumpet motif'》[MP3_LRC]
- Jeremy Siepmann《The movement ends with a varied reprise of the opening》[MP3_LRC]
- Jeremy Siepmann《Evocation of the Ancestors (complete) and Ritual Action of the Ancestors (complete)》[MP3_LRC]
- Jeremy Siepmann《The last movement is based on two motifs, the first most motable for its rhythm》[MP3_LRC]
- Jeremy Siepmann《The second motif is likewise predominatly rhythmical in effect》[MP3_LRC]
- Jeremy Siepmann《Two variants: one a rhythmic simplification, the other an expansion》[MP3_LRC]
- Jeremy Siepmann《A new section, again with two main motifs, the first from wind and strings》[MP3_LRC]
- Jeremy Siepmann《This is joined by another bried but very striking motif from muted brass》[MP3_LRC]
- Jeremy Siepmann《Tension dramatically increased by a violent interruption from timpani and gong》[MP3_LRC]
- Jeremy Siepmann《...and is twice interrupted by horns》[MP3_LRC]
- Jeremy Siepmann《Motif No. 1 erupts in full orchestra, then all hell breaks loose》[MP3_LRC]
- Jeremy Siepmann《New ostinato, over implacable repetitions of Motif No. 1, offset by clarinets》[MP3_LRC]
- Jeremy Siepmann《Horns, doubled by strings, introduce the main idea of this new section》[MP3_LRC]
- Jeremy Siepmann《The return of the movement's opening section - or so we may think》[MP3_LRC]
- Jeremy Siepmann《Dramatic compression of now-familiar material》[MP3_LRC]
- Jeremy Siepmann《A terrifying cocktail of motifs old and new confounds expectations...》[MP3_LRC]
- Jeremy Siepmann《...and leads to the coda, the final flourish of the whole work》[MP3_LRC]
- Jeremy Siepmann《Cue to all of Part II and end of CD》[MP3_LRC]
- Jeremy Siepmann《Introduction: Melody, Theme and Motif; Bach's opening gambit》[MP3_LRC]
- Jeremy Siepmann《The 'motto' rhythm hidden even within the opening bar》[MP3_LRC]
- Jeremy Siepmann《Opening Ritornello (complete)》[MP3_LRC]
- Jeremy Siepmann《Episode 1 begins with virtuoso entry of the solo violin, made up of alternating arpeggios》[MP3_LRC]
- Jeremy Siepmann《Motif No. 3 returns, courtesy of the recorders, recently sidelined by the violin》[MP3_LRC]
- Jeremy Siepmann《Episode 2, Part 1, preceded by the 'fanfare' motif from which its first theme derives》[MP3_LRC]
- Jeremy Siepmann《Episode 2 continued, with more bravura dazzle from the solo violin》[MP3_LRC]
- Jeremy Siepmann《Repeat of section for purposes of hearing the harmonic movement》[MP3_LRC]
- Jeremy Siepmann《Ritornello 3, with the prominent participation of the soloists》[MP3_LRC]
- Jeremy Siepmann《Ritornello 4, not altogether what it might seem; solo violin takes 'motto' motif》[MP3_LRC]
- Jeremy Siepmann《Episode 4. Cue to Part 1, focusing on 'soloistic' counterpoint provided by the continuo》[MP3_LRC]
- Jeremy Siepmann《Return to Ritornello 4 to hear sources of Episode 4, Part 2》[MP3_LRC]
- Jeremy Siepmann《Return to opening Ritornello in order to enhance awareness of the contrast》[MP3_LRC]
- Jeremy Siepmann《Ritornello 5 continued, with emphasis on the determined banishment of B Minor》[MP3_LRC]
- Jeremy Siepmann《Introduction: Rhythmic Motif provides basis for whole movement》[MP3_LRC]
- Jeremy Siepmann《Putting the two together, thereby establishing a relationship》[MP3_LRC]
- Jeremy Siepmann《Contrast and syncopation - their relationship in opening section》[MP3_LRC]
- Jeremy Siepmann《Listening from the 'botton up'》[MP3_LRC]
- Jeremy Siepmann《The intertwining and alternation of solo and orchestra; the irregularity of metrical groupings》[MP3_LRC]
- Jeremy Siepmann《The next orchestral phrase; slowing the pace but not the tempo》[MP3_LRC]
- Jeremy Siepmann《The First Section (complete)》[MP3_LRC]
- Jeremy Siepmann《The next section; foreground symmetry and background variety》[MP3_LRC]
- Jeremy Siepmann《The central section's groupings are hugely asymmetrical》[MP3_LRC]
- Jeremy Siepmann《Second Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Fugue subject》[MP3_LRC]
- Jeremy Siepmann《Second counter-subject》[MP3_LRC]
- Jeremy Siepmann《Harmonic Rhythm defined; back to the beginning to find the seed...》[MP3_LRC]
- Jeremy Siepmann《The First Solo Episode; a confusion of terms; onwards, to the introduction of the solo episode》[MP3_LRC]
- Jeremy Siepmann《Ritornello 2 complete》[MP3_LRC]
- Jeremy Siepmann《Solo Episode 2 dominated by thrilling virtuosity from the solo violin》[MP3_LRC]
- Jeremy Siepmann《Ritornello 3: highly contrapuntal and dominated by subject-derivatives, with much harmonic fluidity》[MP3_LRC]
- Jeremy Siepmann《Solo Episode 3 - less solo than earlier ones, what with (albeit very discreet)》[MP3_LRC]
- Jeremy Siepmann《The two recorders converse in canon, accompanied for six exhilarating bars by cello 'continuo'》[MP3_LRC]
- Jeremy Siepmann《Approaching the final Ritornello; stretto explained》[MP3_LRC]
- Jeremy Siepmann《Cue to Finale Ritornello, noting tension-building 'pedal point' in cellos and double bass》[MP3_LRC]
- Jeremy Siepmann《Coda - the 'tail-piece', with its surprising 'hammer strokes'》[MP3_LRC]
- Jeremy Siepmann《Third Movement (complete)》[MP3_LRC]