Jeremy Siepmann
Jeremy Siepmann，男歌手，代表作《Classics Explained: BEETHOVEN - Symphony No. 6, 'Pastoral' (Siepmann)》
最新歌曲
共有1832首
- Jeremy Siepmann《Opening Music; analysis and phony analysis; Shaw quote; music: Motif No. 1》[MP3_LRC]
- Jeremy Siepmann《Music, energy and relationship》[MP3_LRC]
- Jeremy Siepmann《Motif No. 3, and an important feature of its rhythm》[MP3_LRC]
- Jeremy Siepmann《Beethoven Fifth Symphony (opening)》[MP3_LRC]
- Jeremy Siepmann《Episode 1: a 'Love Duet'》[MP3_LRC]
- Jeremy Siepmann《Episode 1 continued; violin and flute reverse direction of their theme》[MP3_LRC]
- Jeremy Siepmann《'False' Ritornello; soloists interrupt; rising 'sighing' motif; harpsichord continues downwards》[MP3_LRC]
- Jeremy Siepmann《Four things going on at once, in violin, flute, harpsichord right hand, harpsichord left hand》[MP3_LRC]
- Jeremy Siepmann《The harpsichord intervenes with derivative of Motif 4; key shifts from A Major to B Minor》[MP3_LRC]
- Jeremy Siepmann《The orchestra returns to foreground and brings this section to an end》[MP3_LRC]
- Jeremy Siepmann《Harpsichord emerges as virtuoso; a series of expectations are frustrated》[MP3_LRC]
- Jeremy Siepmann《A backwards look; blurred distinctions between soloists and orchestra; 'Mozartian' development》[MP3_LRC]
- Jeremy Siepmann《The epoch-making harpsichord cadenza and the final Ritornello》[MP3_LRC]
- Jeremy Siepmann《First Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Introduction; the opening Ritornello》[MP3_LRC]
- Jeremy Siepmann《The first bar; the first main building block》[MP3_LRC]
- Jeremy Siepmann《Opening of the first solo episode》[MP3_LRC]
- Jeremy Siepmann《The second main theme》[MP3_LRC]
- Jeremy Siepmann《Ritornello 2; violin and flute as 'orchestra'》[MP3_LRC]
- Jeremy Siepmann《Episode 2; inversion of original motifs》[MP3_LRC]
- Jeremy Siepmann《More on Episode 2》[MP3_LRC]
- Jeremy Siepmann《Episode 1 and Episode 2 compared》[MP3_LRC]
- Jeremy Siepmann《Episode 2; key shifts from D Major to F-Sharp Minor》[MP3_LRC]
- Jeremy Siepmann《Ritornello 3: an exact transposition of Ritornello 1》[MP3_LRC]
- Jeremy Siepmann《Episode 3 contrasted with Episode 1》[MP3_LRC]
- Jeremy Siepmann《Ritornello 4; second main theme's first appearance in a Ritornello》[MP3_LRC]
- Jeremy Siepmann《Episode 4: dominated by inversions》[MP3_LRC]
- Jeremy Siepmann《Second Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Introduction: Ritornello 1》[MP3_LRC]
- Jeremy Siepmann《The Fugue Subject: close juxtaposition of contrasting elements》[MP3_LRC]
- Jeremy Siepmann《Flute takes the 'answer', with countersubject in the violin》[MP3_LRC]
- Jeremy Siepmann《Contrary motion as a contrapuntal device》[MP3_LRC]
- Jeremy Siepmann《Contrary motion as a listening aid; a new theme》[MP3_LRC]
- Jeremy Siepmann《Playing with the counter-subject; a musical game of tag》[MP3_LRC]
- Jeremy Siepmann《Hidden rhythms: background variety behind foreground uniformity》[MP3_LRC]
- Jeremy Siepmann《Fugal writing and the compatibility of parts; the Exposition》[MP3_LRC]
- Jeremy Siepmann《Episode 1, taken by soloists, contains important 'seeds'》[MP3_LRC]
- Jeremy Siepmann《The orchestra enters at last, but by stealth》[MP3_LRC]
- Jeremy Siepmann《Stretto and musical football》[MP3_LRC]
- Jeremy Siepmann《Key changes to B Minor, introducing extensive Middle Section》[MP3_LRC]
- Jeremy Siepmann《The Middle Section a precursor of the Mozartian 'development'》[MP3_LRC]
- Jeremy Siepmann《The Fugue Subject out in force: first four immediately consecutive entries yet》[MP3_LRC]
- Jeremy Siepmann《Middle Section sontinued; harpsichord dominates》[MP3_LRC]
- Jeremy Siepmann《Last Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《First Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Introduction to the Third Movement...》[MP3_LRC]
- Jeremy Siepmann《Out of the Twilight Zone; a sequence of surprises》[MP3_LRC]
- Jeremy Siepmann《Cue to First Movement》[MP3_LRC]
- Jeremy Siepmann《Episode 3 described in detail》[MP3_LRC]
- Jeremy Siepmann《Ambiguity of mode and a Scottish twist》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The next section is new and forward-looking, yet also a kind of dream-recollection of a past scene.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Subjectivity and expertise; Sourek and Tovey disagree; onwards, into the final section》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The mice yield to woodpeckers; the main theme is now doubled in speed》[MP3_LRC]
- Jeremy Siepmann《From Gate-crashing Tiger to Celestial Tenderness - and a surprise》[MP3_LRC]
- Jeremy Siepmann《And unexpected and portentus change of mood, suggesting tragedy》[MP3_LRC]
- Jeremy Siepmann《First Episode, Part 2》[MP3_LRC]
- Jeremy Siepmann《In the central Episode, the orchestra throws down a dramatic challenge》[MP3_LRC]
- Jeremy Siepmann《A trilling commentary from piccolo and high clarinet》[MP3_LRC]
- Jeremy Siepmann《An unexpected change of pace as tempo doubles》[MP3_LRC]
- Jeremy Siepmann《Violent onslaught from brass and timpani launches the 'Rival Tribes'》[MP3_LRC]
- Jeremy Siepmann《Rival Tribes, rival motifs》[MP3_LRC]
- Jeremy Siepmann《A pregnant pause, and a new motif in muted trumpets》[MP3_LRC]
- Jeremy Siepmann《The middle section begins with a massive but unequal confrontation》[MP3_LRC]
- Jeremy Siepmann《Motif No. 2 is passed from bassoons to high wind and trumpets...》[MP3_LRC]
- Jeremy Siepmann《A new section, kick-started by percussion: timpani, bass drum and gong》[MP3_LRC]
- Jeremy Siepmann《Cue to Second Movement》[MP3_LRC]
- Jeremy Siepmann《An important motif; the second main building block》[MP3_LRC]
- Jeremy Siepmann《Music as mosaic; the composer as constructor》[MP3_LRC]
- Jeremy Siepmann《The musical savages routed》[MP3_LRC]
- Jeremy Siepmann《'Marching motif' developed further by flutes and horns》[MP3_LRC]
- Jeremy Siepmann《The opening bar again》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The orchestral texture thins dramatically, and we approach what this time really is the Trio section.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The main theme recast in pathetic rather than heroic terms - and with magical scoring》[MP3_LRC]
- Jeremy Siepmann《Putting the boot in: a metrical mugging》[MP3_LRC]
- Jeremy Siepmann《Detour: the destabilising properties of chromaticism》[MP3_LRC]
- Jeremy Siepmann《Tchaikovsky in early childhood》[MP3_LRC]
- Jeremy Siepmann《Music: Glinka: Overture to A Life for the Tsar》[MP3_LRC]
- Jeremy Siepmann《Enforced separation from his mother》[MP3_LRC]
- Jeremy Siepmann《Music: Tchaikovsky: Dumka, Op. 59》[MP3_LRC]
- Jeremy Siepmann《Death of his mother》[MP3_LRC]
- Jeremy Siepmann《Music: Rêverie du Soir》[MP3_LRC]
- Jeremy Siepmann《Early manhood: the spendthrift civil servant》[MP3_LRC]
- Jeremy Siepmann《Music: Minuet from Mozartiana》[MP3_LRC]
- Jeremy Siepmann《Dismissive opinions of other composers》[MP3_LRC]
- Jeremy Siepmann《Music: The Storm》[MP3_LRC]
- Jeremy Siepmann《Music: Romeo and Juliet》[MP3_LRC]
- Jeremy Siepmann《Marriage, trauma, and a fairy tale annuity》[MP3_LRC]
- Jeremy Siepmann《Letter to Mme von Meck》[MP3_LRC]
- Jeremy Siepmann《Music: Romeo and Juliet》[MP3_LRC]
- Jeremy Siepmann《Recovery and creativity》[MP3_LRC]
- Jeremy Siepmann《Music: Fourth Symphony》[MP3_LRC]
- Jeremy Siepmann《The creation of his favourite opera》[MP3_LRC]
- Jeremy Siepmann《Music: Lensky's aria from Eugene Onegin》[MP3_LRC]
- Jeremy Siepmann《The return to compositional health》[MP3_LRC]
- Jeremy Siepmann《Music: Violin Concerto in D》[MP3_LRC]
- Jeremy Siepmann《He experiences distressing relapses》[MP3_LRC]
- Jeremy Siepmann《Music: Capriccio Italien》[MP3_LRC]
- Jeremy Siepmann《Psychological disturbances and a long fallow period》[MP3_LRC]
- Jeremy Siepmann《Music: Piano Trio in A Minor》[MP3_LRC]
- Jeremy Siepmann《Sufferings for Mme von Meck; he decides to settle down》[MP3_LRC]