Jeremy Siepmann
Jeremy Siepmann，男歌手，代表作《Classics Explained: BEETHOVEN - Symphony No. 6, 'Pastoral' (Siepmann)》
最新歌曲
共有1832首
- Jeremy Siepmann《Cue to restoration of main theme in its entirety as the movement ends》[MP3_LRC]
- Jeremy Siepmann《An ' echo ' with a difference》[MP3_LRC]
- Jeremy Siepmann《Reminder of ' echoed ' phrase in its original form》[MP3_LRC]
- Jeremy Siepmann《Repeat of ' two-pronged ' theme in orchestra》[MP3_LRC]
- Jeremy Siepmann《Cue to First Movement》[MP3_LRC]
- Jeremy Siepmann《Beginning of dialogue》[MP3_LRC]
- Jeremy Siepmann《The nature of musical conversation; repetition; ' echo ' effect》[MP3_LRC]
- Jeremy Siepmann《Unexpected, ' flowing ' entrance of soloist》[MP3_LRC]
- Jeremy Siepmann《Analytical comment and Main Theme again》[MP3_LRC]
- Jeremy Siepmann《Variant of opening theme, with ' argument ' between two notes, one high, one low》[MP3_LRC]
- Jeremy Siepmann《Expanded groups of answering phrase》[MP3_LRC]
- Jeremy Siepmann《Intensification as harmonies change under broad, descending four-note ' motto '》[MP3_LRC]
- Jeremy Siepmann《As in ' Spring ', soloist enters with birdsong》[MP3_LRC]
- Jeremy Siepmann《Surprise variant provides springboard into new descending four-note pattern》[MP3_LRC]
- Jeremy Siepmann《Violins accompanied by flowing ' commentary ' in lower strings》[MP3_LRC]
- Jeremy Siepmann《Movement ends as storm returns》[MP3_LRC]
- Jeremy Siepmann《Vivaldi springs a surprise, reversing direction and heightening tension》[MP3_LRC]
- Jeremy Siepmann《Soloistic ' birds ' return to the air》[MP3_LRC]
- Jeremy Siepmann《Main Theme varied》[MP3_LRC]
- Jeremy Siepmann《Scene setting and opening of First Movement》[MP3_LRC]
- Jeremy Siepmann《Peasant's failing resolve as violin spirals down》[MP3_LRC]
- Jeremy Siepmann《Upper and lower strings alternately succumb to lethargy》[MP3_LRC]
- Jeremy Siepmann《Further violinistic slips and slides》[MP3_LRC]
- Jeremy Siepmann《Lightning from upper strings》[MP3_LRC]
- Jeremy Siepmann《More lightning: ' heat ' lightning from violins, ' fork ' lightning from violas》[MP3_LRC]
- Jeremy Siepmann《Enter another drunk, courtesy of the virtuoso soloist》[MP3_LRC]
- Jeremy Siepmann《Orchestra hijacks soloist's material》[MP3_LRC]
- Jeremy Siepmann《Stormy Weather; thunder》[MP3_LRC]
- Jeremy Siepmann《Secondary theme, a closely related development of the first》[MP3_LRC]
- Jeremy Siepmann《Death of the quarry, end of the movement》[MP3_LRC]
- Jeremy Siepmann《Expectation and surprise: Vivaldi tacks on one bar too many》[MP3_LRC]
- Jeremy Siepmann《Cue to First Movement as a whole》[MP3_LRC]
- Jeremy Siepmann《Conversation amongst the sober peasants leads to their final dance》[MP3_LRC]
- Jeremy Siepmann《Orchestra yields to unexpected display of virtuosity by soloist》[MP3_LRC]
- Jeremy Siepmann《Wind subsides and returns, tormenting the trudgers through the snow》[MP3_LRC]
- Jeremy Siepmann《The soloist as ' drunkard '》[MP3_LRC]
- Jeremy Siepmann《A sequence of simple scales, accompanied by opening rhythm》[MP3_LRC]
- Jeremy Siepmann《The storm subsides; soloist enters as weeping peasant boy》[MP3_LRC]
- Jeremy Siepmann《Orchestra re-enters with main theme, but is interrupted by the drunkard》[MP3_LRC]
- Jeremy Siepmann《The orchestral peasants continue their dancing, but things have changed》[MP3_LRC]
- Jeremy Siepmann《The drunkard interrupts again, then falls asleep, breathing heavily》[MP3_LRC]
- Jeremy Siepmann《Symmetrical paralels with First Movement: ' beast ' / ' drunkard ' etc》[MP3_LRC]
- Jeremy Siepmann《Torrential rain, depicted by entire orchestra》[MP3_LRC]
- Jeremy Siepmann《Soloist returns as the original solitary walker and strides away from the others》[MP3_LRC]
- Jeremy Siepmann《The walkers lose their balance and stylishly fall down》[MP3_LRC]
- Jeremy Siepmann《Soloist rises progressively, in sequence, decoratively outling chord of the home key》[MP3_LRC]
- Jeremy Siepmann《Deferred entry of solo violin, in virtuoso vein》[MP3_LRC]
- Jeremy Siepmann《The peasant's capitulation》[MP3_LRC]
- Jeremy Siepmann《Soloist's double-stopping depicts hunting horns》[MP3_LRC]
- Jeremy Siepmann《Unexpectedly, a new theme where a repeat might be expected》[MP3_LRC]
- Jeremy Siepmann《Orchestral strings enter, part by part; soloist depicts the biting wind》[MP3_LRC]
- Jeremy Siepmann《New, rising scale-pattern unfurled with ever-greater breadth》[MP3_LRC]
- Jeremy Siepmann《Against an unvarying tempo, the pace is repeatedly varied》[MP3_LRC]
- Jeremy Siepmann《The pace increases eight-fold in concluding downwards scale》[MP3_LRC]
- Jeremy Siepmann《Cue to final movement》[MP3_LRC]
- Jeremy Siepmann《Scene-setting; soloist begins for the first time》[MP3_LRC]
- Jeremy Siepmann《Other drunks join in ' dialogue ' with the orchestra》[MP3_LRC]
- Jeremy Siepmann《Soloist's flurries interrupted by six blasts of orchestral wind》[MP3_LRC]
- Jeremy Siepmann《Orchestra evokes the warm winds of the Sirocco》[MP3_LRC]
- Jeremy Siepmann《A case of predictable unpredictablity: novelty and repetition》[MP3_LRC]
- Jeremy Siepmann《Soloist's ' aria ' accompanied by pizzicato ' raindrops '》[MP3_LRC]
- Jeremy Siepmann《First orchestral section; ace is halved; the undermining onset of chromaticism》[MP3_LRC]
- Jeremy Siepmann《Repetitiousness and folk music; the movement's opening》[MP3_LRC]
- Jeremy Siepmann《Scene-setting for Second Movement》[MP3_LRC]
- Jeremy Siepmann《Undercover ' bagpipes ' initiate the finale》[MP3_LRC]
- Jeremy Siepmann《Analytical discussion of ' pace ' and ' tempo ' ; further variant of main theme》[MP3_LRC]
- Jeremy Siepmann《Nature triumphant; soloist draws on orchestra's 'rain' music》[MP3_LRC]
- Jeremy Siepmann《Answering blast from the Borea, the could wind of the north; struggle for supremacy》[MP3_LRC]
- Jeremy Siepmann《One tempo, two rates of speed: fast for the soloist, slow for the orchestra》[MP3_LRC]
- Jeremy Siepmann《Teeth chattering, and with stamping feet, the travellers finally reach their goal》[MP3_LRC]
- Jeremy Siepmann《Detailed discussion of foreground / background perceptions; analogies with speech》[MP3_LRC]
- Jeremy Siepmann《Second Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Second Movement (Complete)》[MP3_LRC]
- Jeremy Siepmann《Upward pointing to one ' target ' note》[MP3_LRC]
- Jeremy Siepmann《Third Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《First Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《The first Solo section: birdsong from three soloists, not one》[MP3_LRC]
- Jeremy Siepmann《On Beethoven's Openings》[MP3_LRC]
- Jeremy Siepmann《Opening phrase of the 'Pastoral': ood, Symbolism and Musical Function》[MP3_LRC]
- Jeremy Siepmann《Musical Acorns: the outline of melody; the shape of a question》[MP3_LRC]
- Jeremy Siepmann《The 'question' in the 'Pastoral' repeated...》[MP3_LRC]
- Jeremy Siepmann《...and answered》[MP3_LRC]
- Jeremy Siepmann《The opening phrase ends on a note full of pregnant expectation》[MP3_LRC]
- Jeremy Siepmann《Starting with a stop》[MP3_LRC]
- Jeremy Siepmann《The rhythmic profile of the opening phrase; a two-part construction》[MP3_LRC]
- Jeremy Siepmann《Phrase One, Part One》[MP3_LRC]
- Jeremy Siepmann《Phrase One, Part Two》[MP3_LRC]
- Jeremy Siepmann《The properties of rhythmic ambiguity; the 'question' of Phrase One answered》[MP3_LRC]
- Jeremy Siepmann《Phrase Two: from meander to march》[MP3_LRC]
- Jeremy Siepmann《The makings of a conversation: contrast and variation》[MP3_LRC]
- Jeremy Siepmann《Repetition as A Major factor, but it's never mere repetition; each time something new is added》[MP3_LRC]
- Jeremy Siepmann《From soft to loud and back again; instrumental enrichment from horns and double-basses》[MP3_LRC]
- Jeremy Siepmann《Mega-repetition: violins play exactly the same little fragment ten times in a row》[MP3_LRC]
- Jeremy Siepmann《But no two repetitions are quite the same; varieties of contrast》[MP3_LRC]
- Jeremy Siepmann《More variation: pitch rises; violins joined frist by the clarinet, then by the oboe》[MP3_LRC]
- Jeremy Siepmann《Return to opening idea, but with new instrumentation and articulation》[MP3_LRC]
- Jeremy Siepmann《Clarinets, horns, bassoons and flutes now join expansive variation》[MP3_LRC]
- Jeremy Siepmann《'New' insistent rhythm derived from the first four notes of the piece》[MP3_LRC]
- Jeremy Siepmann《With the dawn chorus, a whole forest is waking up; feelings of rapture》[MP3_LRC]
- Jeremy Siepmann《First violins play a derivative of the opening figure, joined by wind and strings》[MP3_LRC]