Jeremy Siepmann
Jeremy Siepmann，男歌手，代表作《Classics Explained: BEETHOVEN - Symphony No. 6, 'Pastoral' (Siepmann)》
最新歌曲
共有1832首
- Jeremy Siepmann《Sudden change of key, from the home key (tonic) to the dominant》[MP3_LRC]
- Jeremy Siepmann《Unusual properties of second main theme》[MP3_LRC]
- Jeremy Siepmann《Rhythmic clash between simultaneous groups of three beats and groups of two》[MP3_LRC]
- Jeremy Siepmann《winds fall selent as the violins and violas interrupt with a new theme》[MP3_LRC]
- Jeremy Siepmann《Winds answer with the same morse-like rhythm but at half the speed》[MP3_LRC]
- Jeremy Siepmann《Crescendo leads to strings' acceleration of the pace with no increase in tempo》[MP3_LRC]
- Jeremy Siepmann《Beginning of coda, directly based on morse-like rhythm of the main theme》[MP3_LRC]
- Jeremy Siepmann《Strings reiterate small fragment of the new theme 13 times in a row》[MP3_LRC]
- Jeremy Siepmann《A simple, rising violin phrase leads to a repeat of the Exposition》[MP3_LRC]
- Jeremy Siepmann《The nature and function of the Development section in sonata form; 'harmonic' rhythm explained》[MP3_LRC]
- Jeremy Siepmann《The nature of harmonic rhythm illustrated》[MP3_LRC]
- Jeremy Siepmann《A typically Beethovenian exercise in the frustration of expectation》[MP3_LRC]
- Jeremy Siepmann《Repetitiousness and magic effected largely through instrumental colour》[MP3_LRC]
- Jeremy Siepmann《Then come four, almost identical bars》[MP3_LRC]
- Jeremy Siepmann《Even greater magic, with sudden switch of key and tone colour》[MP3_LRC]
- Jeremy Siepmann《Entire Development section up to this point》[MP3_LRC]
- Jeremy Siepmann《The Development continued》[MP3_LRC]
- Jeremy Siepmann《Increased unease and suspense as harmonic rhythm accelerates》[MP3_LRC]
- Jeremy Siepmann《Arrival at the point of Recapitulation; back to the beginning, as a reminder》[MP3_LRC]
- Jeremy Siepmann《Beginning of Recapitulation》[MP3_LRC]
- Jeremy Siepmann《More Beethovenian frustrations of expectations which he himself has just set up》[MP3_LRC]
- Jeremy Siepmann《Harmonic rhythm speeds up, giving the impression of an accent on every beat》[MP3_LRC]
- Jeremy Siepmann《Prevailing mood restored; new theme from clarinets and bassoons》[MP3_LRC]
- Jeremy Siepmann《Violins and violas take up theme; horns, cellos, double-basses accompany》[MP3_LRC]
- Jeremy Siepmann《A hush falls, followed by a return of the movement's most familiar tag in strings》[MP3_LRC]
- Jeremy Siepmann《Clarinet takes up the running triplet figures of the main closing theme》[MP3_LRC]
- Jeremy Siepmann《First violins take up the opening phrase again, accompanied by double-basses》[MP3_LRC]
- Jeremy Siepmann《Beethoven slips in one last surprise; cue to complete movement》[MP3_LRC]
- Jeremy Siepmann《First movement (complete)》[MP3_LRC]
- Jeremy Siepmann《General introduction; the birth of a melody》[MP3_LRC]
- Jeremy Siepmann《Brook music quickens; syncopated horns; theme changes hands; evocation of birdsong》[MP3_LRC]
- Jeremy Siepmann《The 'motto' theme introduced by violins and treated to round-like overlappings》[MP3_LRC]
- Jeremy Siepmann《Transitional 'bridge' theme sets off for new key group. But is it? And does it?》[MP3_LRC]
- Jeremy Siepmann《Will he, or won't he? Beethoven keeps us guessing》[MP3_LRC]
- Jeremy Siepmann《The run-up to the Second Group》[MP3_LRC]
- Jeremy Siepmann《Arrival at the Second Group; but where is the actual Second Subject?》[MP3_LRC]
- Jeremy Siepmann《A new tune is introduced by the bassoon》[MP3_LRC]
- Jeremy Siepmann《Tune is repeated three times》[MP3_LRC]
- Jeremy Siepmann《...which the full orchestra now takes up in varied form》[MP3_LRC]
- Jeremy Siepmann《Theme carried by flutes and first violins in a charmingly waltz-like development》[MP3_LRC]
- Jeremy Siepmann《A reminder of precedent》[MP3_LRC]
- Jeremy Siepmann《Back to the prevailing triple-metre with violins, bassoons and flutes》[MP3_LRC]
- Jeremy Siepmann《Another reminder of precedent...》[MP3_LRC]
- Jeremy Siepmann《...and a cue to some unexpected departures》[MP3_LRC]
- Jeremy Siepmann《The transformational magic of Beethoven's 'tone-painting' - and a new varation》[MP3_LRC]
- Jeremy Siepmann《Conversation of clarinet, flute and oboe on the way to the Development》[MP3_LRC]
- Jeremy Siepmann《Harmonic movement emphasised by violins; oboe takes up the First Subject》[MP3_LRC]
- Jeremy Siepmann《Flute and oboe discuss the First Subject, before arriving together at the Transition》[MP3_LRC]
- Jeremy Siepmann《Gains in volume and intensity lead to a new key-change》[MP3_LRC]
- Jeremy Siepmann《More thematic transformation through the agency of tone-colour》[MP3_LRC]
- Jeremy Siepmann《Harmonic fluideity - instability - as the central engine of the Development section》[MP3_LRC]
- Jeremy Siepmann《Harmonic instability, thematic dissolution increase, then lessen with approach of Recapitulation》[MP3_LRC]
- Jeremy Siepmann《Recap. and transformation: key and material are right, but what a change of presentation!》[MP3_LRC]
- Jeremy Siepmann《Cue to complete movement on CD 2》[MP3_LRC]
- Jeremy Siepmann《Second movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Beethoven and the Scherzo: an introduction; Part One of opening phrase taken by the strings》[MP3_LRC]
- Jeremy Siepmann《Immediate response; Part One is answered by a march more singing, continuous legato》[MP3_LRC]
- Jeremy Siepmann《Entire orchestra gives out opening theme, this time fortissimo and with powerful accents》[MP3_LRC]
- Jeremy Siepmann《A mustical ball game. The contrast of this and the first two movements could hardly be greater》[MP3_LRC]
- Jeremy Siepmann《After quietly teasing suspense, Beethoven mocks village band, first the oboe, then the bassoon》[MP3_LRC]
- Jeremy Siepmann《Clarinet joins in, then horn takes the tune - the dance no longer boisterous but lyrical》[MP3_LRC]
- Jeremy Siepmann《Strings sweep the village musicians aside and hurtle us into the new, boisterous 'Trio' section》[MP3_LRC]
- Jeremy Siepmann《The air is alive with the sound of (mock) bagpipes, tambourines and fifes》[MP3_LRC]
- Jeremy Siepmann《Coda; begins as the movement itself begins, but soon diverges in harmony and instrumentation》[MP3_LRC]
- Jeremy Siepmann《Third movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Unparalled portrait of nature's power over humanity, with some stupendous orchestration》[MP3_LRC]
- Jeremy Siepmann《Self-generating form and terror of total unpredictability; 'anxiety motif' from the violins》[MP3_LRC]
- Jeremy Siepmann《The 'lightning' motif, and its recurrnece later in the movement》[MP3_LRC]
- Jeremy Siepmann《'Rain' motif, derived from descending scale pattern from the violins at the outest》[MP3_LRC]
- Jeremy Siepmann《Shivering tremolandos from the strings and increasingly eerie harmonies from the wind》[MP3_LRC]
- Jeremy Siepmann《Steady crescendo in strings; terrifying, downward spelling-out of chords in the violins》[MP3_LRC]
- Jeremy Siepmann《Extremes of dynamic contrasts; the unsettling, disturbing, undermining effects of chromaticism》[MP3_LRC]
- Jeremy Siepmann《Abandonment of melody, and most traces even of rhythm; sustained, discordant harmony》[MP3_LRC]
- Jeremy Siepmann《Storm dispersed, the sun reappears, bathing sodden earth below with its life-giving rays》[MP3_LRC]
- Jeremy Siepmann《Cue to complete preformance of Fourth Movement》[MP3_LRC]
- Jeremy Siepmann《Fourth movement (complete)》[MP3_LRC]
- Jeremy Siepmann《'Yodelling' figure from clarinet, then horn, the violins, who introduce the main theme》[MP3_LRC]
- Jeremy Siepmann《Details of instrumental magic in the interplay of horns, cellos, clarinets and bassoons》[MP3_LRC]
- Jeremy Siepmann《Main theme heard three times in a row - and yet never the same way twice》[MP3_LRC]
- Jeremy Siepmann《Now we get the whole orchestra, playing full out, with violins all double-stopping》[MP3_LRC]
- Jeremy Siepmann《Transition to the next section, based on the last two notes of the main theme》[MP3_LRC]
- Jeremy Siepmann《The rhythmic basis of new transition theme, first in violas, then takes up by first violins》[MP3_LRC]
- Jeremy Siepmann《Another rhythmic details of extended transition comes increasingly into the foreground》[MP3_LRC]
- Jeremy Siepmann《...and is then heard in expanded version, taken in sequence by the strings, from the top down》[MP3_LRC]
- Jeremy Siepmann《New phrase, introduced by violins, brings us resoundingly back to the opening material》[MP3_LRC]
- Jeremy Siepmann《Main theme, re-orchestrated; unexpected drift into another key and a new, gently flowing theme》[MP3_LRC]
- Jeremy Siepmann《Main theme returns, but significantly altered, and not entirely intact》[MP3_LRC]
- Jeremy Siepmann《Running commentary now heard in the middle, with alternating pizzicatos both above and below》[MP3_LRC]
- Jeremy Siepmann《Part Three of main theme given to entire orchestra, leading to final appearance of Theme two》[MP3_LRC]
- Jeremy Siepmann《Extended coda; overlapping variations of main theme, rather in the manner of a round》[MP3_LRC]
- Jeremy Siepmann《Suddenly the scene changes. A variation of the 'running commentary' cited in Tracks 34 and 36》[MP3_LRC]
- Jeremy Siepmann《The crowning glory, as the Shepherd's Song of Thanksgiving takes on a 'heavenly' magnificence》[MP3_LRC]
- Jeremy Siepmann《Cue into complete performance of Fifth Movement through the 'gateway' of the Fourth》[MP3_LRC]
- Jeremy Siepmann《Fourth and Fifth movements (complete)》[MP3_LRC]
- Jeremy Siepmann《The piano joins the strings with yet a third variant of the theme.》[MP3_LRC]
- Jeremy Siepmann《We get it here.》[MP3_LRC]
- Jeremy Siepmann《We find it everywhere, even in the double-bass.》[MP3_LRC]
- Jeremy Siepmann《...but scarcely ever the same way twice》[MP3_LRC]
- Jeremy Siepmann《We sense the imminent arrival of the closing theme.》[MP3_LRC]
- Jeremy Siepmann《Music: exposition complete》[MP3_LRC]