Jeremy Siepmann
Jeremy Siepmann，男歌手，代表作《Classics Explained: BEETHOVEN - Symphony No. 6, 'Pastoral' (Siepmann)》
最新歌曲
共有1832首
- Jeremy Siepmann《The violin now takes theme one.》[MP3_LRC]
- Jeremy Siepmann《A Major change of tone: a passing cloud and a dark new key》[MP3_LRC]
- Jeremy Siepmann《A repetition, and yet not a repetition》[MP3_LRC]
- Jeremy Siepmann《A journey begun; the phenomenon of musical gravity》[MP3_LRC]
- Jeremy Siepmann《More phrase rhythm》[MP3_LRC]
- Jeremy Siepmann《The violin and double-bass in partnership》[MP3_LRC]
- Jeremy Siepmann《The abandonment of octaves in the piano changes the tone colour.》[MP3_LRC]
- Jeremy Siepmann《The piano abandons its octaves, but not its triplets, in the new 'Hungarian' theme.》[MP3_LRC]
- Jeremy Siepmann《Music: saint-saens - The Carnival of the Animals 'The Pianists'》[MP3_LRC]
- Jeremy Siepmann《Music: Finale (Complete)》[MP3_LRC]
- Jeremy Siepmann《Popper: Elfentanz, Op. 39》[MP3_LRC]
- Jeremy Siepmann《Sibelius: The Swan of Tuonela》[MP3_LRC]
- Jeremy Siepmann《Stravinsky: Petrushka: Peasant with Bear / Berlioz: Symphonie fantastique: V. Songe d'une nuit / Prokofiev: Romeo and Juliet: Act II》[MP3_LRC]
- Jeremy Siepmann《Nielsen: Wind Quintet, Op. 43: III. Praeludium - Tema con variazioni》[MP3_LRC]
- Jeremy Siepmann《Reicha: Wind Quintet in A Minor, Op. 100, No. 5: II. Andante con variazioni》[MP3_LRC]
- Jeremy Siepmann《Mozart: Horn Quintet in E-Flat Major, K. 407: III. Rondeau》[MP3_LRC]
- Jeremy Siepmann《The trombone in the eighteenth century》[MP3_LRC]
- Jeremy Siepmann《Albrechtsberger: Trombone Concerto in B-Flat Major: III. Finale》[MP3_LRC]
- Jeremy Siepmann《The horn and the hunt》[MP3_LRC]
- Jeremy Siepmann《Anonymous: Den hoboecken dans》[MP3_LRC]
- Jeremy Siepmann《Vaughan Williams: Symphony No. 7,"Sinfonia antartica": I. Prelude》[MP3_LRC]
- Jeremy Siepmann《The natural upper notes of the violins have a unique emotional"grab"》[MP3_LRC]
- Jeremy Siepmann《The most famous use of the saxophone is in an orchestration by Ravel》[MP3_LRC]
- Jeremy Siepmann《Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 5》[MP3_LRC]
- Jeremy Siepmann《Second part of Main Theme: new notes, same rhythm》[MP3_LRC]
- Jeremy Siepmann《Analytical cue to Second Movement》[MP3_LRC]
- Jeremy Siepmann《Further variation, tracing slow, descending scale-steps》[MP3_LRC]
- Jeremy Siepmann《Pace slows as violins trace another four-note scalewise descent》[MP3_LRC]
- Jeremy Siepmann《Orchestral thunder, virtuosic ' lightning ' from soloist - but still no ' tune '》[MP3_LRC]
- Jeremy Siepmann《Soloist returns with new variant》[MP3_LRC]
- Jeremy Siepmann《Critical mood-change in soloist's lonely soliloquy》[MP3_LRC]
- Jeremy Siepmann《The peasants return with the main theme, which turns unexpectedly downward》[MP3_LRC]
- Jeremy Siepmann《Mini-earthquake transformed into harmonic landslide》[MP3_LRC]
- Jeremy Siepmann《Scene setting and Main Theme of Second Movement》[MP3_LRC]
- Jeremy Siepmann《Soloist returns,first as turtle-dove, then as goldfinch》[MP3_LRC]
- Jeremy Siepmann《Orchestra depicts murmuring stream, but still there's no real melody》[MP3_LRC]
- Jeremy Siepmann《... and frustrates it by bringing in a new theme, using his four-note ' motto '》[MP3_LRC]
- Jeremy Siepmann《Introduction: Opening, upward-pointing figure》[MP3_LRC]
- Jeremy Siepmann《Soloist depicts snow flurries》[MP3_LRC]
- Jeremy Siepmann《The use of ' sequence ' in first extended solo》[MP3_LRC]
- Jeremy Siepmann《The dance breaks up》[MP3_LRC]
- Jeremy Siepmann《Soloist suddenly takes the part of the fleeing beast》[MP3_LRC]
- Jeremy Siepmann《Two scalewise ideas for the price of one: foreground and background》[MP3_LRC]
- Jeremy Siepmann《Foreground / Background》[MP3_LRC]
- Jeremy Siepmann《Gentle breezes give away to North Wing》[MP3_LRC]
- Jeremy Siepmann《Solo entry restates the opening theme, ' double-stopping '》[MP3_LRC]
- Jeremy Siepmann《Similarities between the Third Movement and the First》[MP3_LRC]
- Jeremy Siepmann《Second movement opens with extremecontrasts》[MP3_LRC]
- Jeremy Siepmann《Second Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Third Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Second Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Third Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《First Movement (Complete)》[MP3_LRC]
- Jeremy Siepmann《First Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Third Movement (complete)》[MP3_LRC]
- Jeremy Siepmann《Arrival at the hightly contrasting second main theme》[MP3_LRC]
- Jeremy Siepmann《Just when we know what's coming, Beethoven changes the rules (or at least the harmony)》[MP3_LRC]
- Jeremy Siepmann《Transformation by reorchestration; switch to long sustained chords; then everything stops》[MP3_LRC]
- Jeremy Siepmann《The silence is broken by voices of nightingale (flute), quail (oboe) and cuckoo (clarinet)》[MP3_LRC]
- Jeremy Siepmann《First violins bring back motto theme》[MP3_LRC]
- Jeremy Siepmann《Original layout compressed; order of events is changed nd Beethoven springs a big surprise》[MP3_LRC]
- Jeremy Siepmann《The 'lashing rain' motif - downward-driving arpeggios from the first violins and violas》[MP3_LRC]
- Jeremy Siepmann《Hints of a return to main theme; long 'pedal point'; running commentary from the violins》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《A quiet beginning: sorrow, syncopation, and sequence》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Instrumental colour as a prime element: clarinets and bassoons, an outburst by the French horn》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The opening tune again, with different instrumental colouring: now flutes and oboes》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The first big surprise: strings, shattering drumbeats, shrieks from flutes, oboes, and clarinets》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Cellos and basses take us into a new key while flutes and oboes dance in syncopation.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Horns, violas, and cellos introduce a new idea, soon to evolve into the main theme.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《A tiny detail from the opening culminates in a wild drumming that heralds A Major event》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Introduction complete》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《A solo horn introduces the main theme, perkily answered by bassoons and horns.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The theme moves to G Major; answering phrase from flutes, oboes, bassoons.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Long crescendo, tremolo strings, back to tonic and biggest statement yet of the main theme.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Transition to the secondary theme through the use of sequence. Sonata form; satability and flux》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Three-bar groupings and again the use of sequence, spelling out a chord》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The sequence continues to rise, and the four-bar phrase returns as the standard unit.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The first violins start off the next phrase, but the melodic shape is more compact.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The violins fall silent; the violas and cellos answer with a new figure》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《So now we have a two-bar group, made up of statement and answer.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The same thing again (though not quite the same)》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Transition complete. The secondary theme arrives, with French horns as 'bagpipes'.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The 'bagpipe drone' is taken over by cellos, with their insistently repeated G and D.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The tune is taken up by cellos and double-basses, 'shadowed' by the second violins.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The violins continue a pattern of steady pairs, and the cellos and basses introduce a new idea.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Unexpectedly, we find ourselves back with the secondary theme. A new idea emerges.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Again we hear the shortened version of the secondary theme》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The suspense is heightened as everything slows down》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《This beautiful flute tune is said to resemble 'Swing Low, Sweet Chariot'.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《A big crescendo leads to a final statement of the closing theme》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The development section begins with a conversation between cellos, double-bases, and violins.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The beginning of the closing theme is taken up in turn by the horn, piccolo, and trumpet.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Sequential chirping from the oboes based on the 'answering' part of the main theme, now in thE Major》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Much of the development comes from a diminution of the closing theme from the exposition.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《A tiny detail becomes A Major ingredient, giving an agitated quality to an originally sunny tune.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Through a sequence of keys so quickly that it is hard to keep track of them》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The main theme from massed cellos and double-basses, topped by two trumpets over tremolo violas》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《After that major climax, we arrive at the threshold of the recapitulation》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《Dvorak flouts tradition by setting the secondary theme and the closing theme in unexpected keys.》[MP3_LRC]
- Jeremy Siepmann&Slovak Philharmonic Orchestra《The tumultuous convulsion of the coda brings the first movement to its epic close.》[MP3_LRC]